Joining local arts associations/coop galleries has already paid off! I’m in two local shows this month; the first I posted about the other day and I won a second place ribbon. The second opened last night at river arts and one of my pieces was selected for an article about the show. Please check out my Greenman and the article here: Village Soup Artists Choice.
A organic shaped bowl reminiscent of jellyfish, undulating sea growth or other sea life.
This piece was created by cutting and arranging bits of white glass carefully to maintain the ‘holes’ and unique shape. It was then fired up to 1500 degrees F. After firing, powdered glass in blue was sifted upon the white and then the piece was again fired. Sometimes a third firing is required to add more powdered glass to achieve a deep color. After the second color is fired on the piece is fired yet again to give it the shape. Each firing takes 12 hours.
This ‘bowl’ comes with a stand for display but it can also be displayed on the wall with a plate hanger.
Goose River on a misty morning, Swanville, Maine. I love this spot along Swanville Road and pass it often. This particular spring morning the fog was thick and beautiful. I’ve tried to capture the feeling of gazing into the thick fog where everything is vague and all of a color.
Here are some images along the journey of this painting:
This piece was created from the broken bones of another wave which was destroyed at a show. It speaks to the unbreakable nature of both water and the human spirit, which flows around all obstacles wearing them down. Water is life.
Kiln fired glass in a metal stand. 100’s of pieces of cut glass are arranged like a crazy jigsaw puzzle to create this stunning art piece.
My piece, “Sea Garden”, has taken second place in the ‘other’ category at the 2018 Bangor Art Society Member Show. This piece is inspired by sea weed/kelp beds under the sea. It’s about 12″ x 12″ and set in a black metal stand. Created using fusible glass and fired in the kiln up to 1500 degrees F. Fired multiple times for 12 hours each time until the desired effect is achieved.
I love painting out in the open air. It’s so different from painting in the studio; there is a depth, and a quality of light, in real life, a distance between things that a flat photo (at least one I take) cannot convey. Often I will start a painting outside and then finish up in the studio over weeks or months. This provides the best of both worlds.
This painting was created in such a way over a number of months. I started at the harbor in Belfast, Maine and finished up in the studio. I so love the ocean; looking at this painting you can almost see, feel and hear the water gently lapping against the dock and feel the warm breeze on your brow.
Thanks for viewing,
PS: this one is for sale in the shop. I’ll add more as I can.. she who wears all the hats runs out of time…
So as I mentioned, I have not painted in about 30 years but recently got the urge. I always painted in oils before and so my first in all these years is also in oils. It was frightening to pick up the brushes and stare at that white canvas and, I admit, I procrastinated for awhile before I committed brush to surface. For me, this is a new adventure in learning how to paint again. I’m no longer that 20something, recently graduated girl who majored in painting and sculpture. I’ve changed, and so has what I see when I look at the world through the eyes of a painter. But as I reconnect brush to canvas, that student of the arts stirs; while I find my vision may have changed, I also still retain much of how I once felt when I paint. My paintings will be both similar to my older work.. and different…much as I am similar to that young girl…. and yet… different.
Join me as I grow, experiment, learn and explore….